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In The 1950s Stravinsky Dramatically Changed His Style, Drawing Inspiration From

New England Review (1990-)

journal article

Music in the Modern-Postmodern Labyrinth

New England Review (1990-)

Published By: Middlebury College Publications

New England Review (1990-)

https://www. jstor .org/stable/40244823

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Journal Information

Over the past 30 years, New England Review has established itself as one of the nation's most distinguished literary journals, a publication that encourages lively artistic exchange and innovation. Presenting work in a wide variety of genres by writers just emerging into prominence side by side with the best new work of writers whose achievements are widely recognized, each 200-page issue ranges over an unusually comprehensive literary spectrum. You'll find highly accomplished traditional narratives as well as challenging experiments in style and form, poetry and works of drama of the highest quality, translations of memorable works from many languages and time periods, far-reaching essays on art and literature, and compelling rediscoveries from our cultural past.

Publisher Information

Middlebury is one of the country's top liberal arts colleges. It offers its students a broad curriculum embracing the arts, humanities, literature, foreign languages, social sciences, and natural sciences. Middlebury is an institution with a long-standing international focus, a place where education reflects a sense of looking outward, and a realization that the traditional insularity of the United States is something of the past. We seek to bring to Middlebury those who wish not only to learn about themselves and their own traditions, but also to see beyond the bounds of class, culture, region, or nation. Indeed, the central purpose of a Middlebury education is precisely to transcend oneself and one's own concerns. This transcendence may come for some through the study of other cultures; for some through the study of the environment; for others it will come through inquiry into such fields as physics or philosophy, mathematics or music.

In The 1950s Stravinsky Dramatically Changed His Style, Drawing Inspiration From

Source: https://www.jstor.org/stable/40244823

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